The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Plan shots and camera movements
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Participate in pre-production meetings and briefings to discuss visual interpretation, requirements and locations for intended productions Completed |
Evidence:
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Liaise with relevant production personnel to confirm that planned shots and camera movements meet technical and script criteria Completed |
Evidence:
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Assess camera plan to ensure individual role is consistent with overall production needs and plans Completed |
Evidence:
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Interpret camera plan and other documentation to create shot lists for use during rehearsal, recording or live transmission Completed |
Evidence:
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Appraise ideas for shots, taking into account the potential impact on schedules, technical feasibility and production requirements Completed |
Evidence:
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Anticipate occupational and health and safety requirements as they apply to the preparation and implementation of shoots Completed |
Evidence:
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Set up for shoots
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Assemble camera, equipment and accessories to meet predetermined camera positions and camera movements Completed |
Evidence:
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Position camera for shots to ensure the safety of relevant production personnel, talent and general public Completed |
Evidence:
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Ensure appropriate camera cables are run from correct outlet points to cameras and do not impede camera movements involved in productions Completed |
Evidence:
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Ensure that cameras are lined up and matched to meet production requirements Completed |
Evidence:
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Charge and install headsets and ensure talkback function is operational to allow communication with relevant production personnel Completed |
Evidence:
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Liaise and collaborate with other relevant production personnel and talent to maximise creative outcomes Completed |
Evidence:
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Shoot content
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Participate in rehearsals and adjust shot lists and schedules according to required changes Completed |
Evidence:
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Re-create camera shots and movements established in rehearsal during recording or communicate clearly to production personnel unavoidable variations from the predetermined plans Completed |
Evidence:
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Respond to cues received from relevant production personnel in a timely manner Completed |
Evidence:
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Consider shots and angles required of other camera operators to assess how cuts and dissolves between shots can produce the required creative outcomes Completed |
Evidence:
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Move camera without impeding the operation of other team members, including other camera operators and technical personnel Completed |
Evidence:
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Ensure safe work practices are applied at all times Completed |
Evidence:
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Wrap up shoots
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Dismantle, pack and store equipment and accessories as required Completed |
Evidence:
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Participate in post-production debriefings and reflect on own performance, noting areas for future improvement Completed |
Evidence:
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Ensure locations are left in original state Completed |
Evidence:
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Complete necessary documentation Completed |
Evidence:
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